Hi. I’m Barbara Lee. Ann asked me to write up some notes for the next set of my leaves that she has posted. As a realist painter, I have wondered just how to render realistic images in thread using something other than long and short stitch. As I learned the different stitches and how they could be used, I was thrilled to discover I had lots of stitching options to choose from.
Black Willow uses a variety of chain stitches as well as sorbello. I used perle cotton on hand painted fabric. I drew the leaves on the fabric before stitching. However, due to the open nature of zigzag and feather chain, the penciled center vein shows on these leaves. Word to the wise: be careful where you put your lines on your fabric!
Sugar Maple combines fabric and stitch. The leaf itself was cut from hand painted fabric, ironed on with a 2-sided interfacing, and outlined with a running stitch. The wing portion of the maple seed is buttonhole stitch; the seed portion itself is padded satin stitch; and the two sides of the seed are joined with split stitch. Split stitch is also used in the branches and border.
Leaf Collection is made up of a variety of different leaves stitched in various leaf and trellis stitches on hand painted fabric. Stitches include: laid work, fern stitch, fishbone, Roumanian couching, stem stitch, and trellis. The Battlement couching (the multi-coloured trellis leaf) was a lot of fun.
And, last but not least, my just completed piece, Chain Oak. I had a lot of fun with this piece. It’s plain chain stitch but I used a variety of different threads: DMC floss and perle cotton, crochet cotton, Persian yarn, Merino wool, and other wools in both solid and variegated colours. The different weights of the threads made for a very textural piece.
I had a lot of fun with this class. And I have many, many more leaves (and flowers and fish and…) that I would like to stitch using the different techniques I learned this past winter.
Thanks for a wonderful class, Ann!