After Cross Stitch we moved on to Chain Stitch, another rigid example. I find that stitchers do not like stitching Squared Chain Stitch finding it difficult to manage the sequencing. I was determined to include it so they would have an example of it in their sample books.
The next two small samples are of Trellis Work. A favourite in Jacobean stitching, it is fun to stitch and dramatic in its impact. I had designed and drafted the first one but had never tried it out in thread. It was a nuisance but interesting to stitch. The density of the darker threads made it look heavy but the scattering of beads lightened it up. I will certainly use this variation again.
The second Trellis Work was also an experiment. I added a thread of glitter to the framework lines and purposely used Detached Chain Stitch as I had not used it elsewhere. Notice that the diamonds and Chain Stitches become smaller towards the outside of the circle.
All the stitchers had a work book. I asked them to bring a print of each of their samples for everyone in the class. On the reverse side of the print the relevant information was printed including the featured stitch, fabric, threads and the stitcher’s name and contact information. The simplest way to produce prints is to place the sampler face down on a scanner as you would to copy text. Place a medium heavy book on the wrong side of the fabric. Having obtained one satisfactory image, use it to print as many copies as you wish. In this way, all participants have a rich variety of ideas in their workbooks.
The final blog on this project will be about the stitches that connect and integrate these samplers.
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